Chers lecteurs, je suis ravi de vous annoncer
la parution de mon BD, La Chasse au Snark — en français!
Grâce aux Editions Seghers, la traduction par Louis Aragon s'image avec des rêves les plus ravissantes que l'argent peut acheter … et enfin, le nonsense anglais sera le non-sens français avec mes dessins surréalistes, anachroniques et sémiotiques.
Le non-sense classique, la poésie la plus parfaite de Lewis Carroll, peut-etre la seule épopée victorienne … ma chasse au snark en BD, la graine obscure que nous fournit la moisson surréaliste!
Quelle bonheur pour les chasseurs galliques au snark (britannique!) … disponible á Seghers ou Amazon.
So engrossed was the Butcher, he heeded them not,
As he wrote with a pen in each hand,
And explained all the while in a popular style
Which the Beaver could well understand.
It’s not often that one finds Lewis Carroll, St. Anthony the Great, Hieronymus Bosch and the late Dr. Hunter S. Thompson mentioned in the very same breath but such are the rarified quiddities of this inkster’s inspiration.
The Butcher is shown here writing a footnote, two of ‘em since he’s ambipedextrous, an affectation rampant amongst Liberians and Americans, both of whom share an affinity for feet over meters, the rascals! One of the most prodigal of these American meterphobes was the journalist, Dr. Hunter S. Thompson, who gained a considerable notoriety for "explaining it all in a popular style" to an otherwise unsuspecting American public.
Thompson’s most notorious national apologia was the jeremiad, Fear and Loathing in Las Vegas, which detailed (in an autohagio-cum-psychedelic style known as gonzo) his quest for spiritual enlightenment in the nearest available desert. Having no recourse to any secluded grottos, Thompson pursued his ascetic devotions in the general direction of Las Vegas with astonishing success, and like St. Anthony, he quickly attracted quite an entourage of devilish phantoms in a variety of tormenting styles and sizes.
"We were somewhere around Barstow on the edge of the desert … suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. And a voice was screaming, 'Holy Jesus! What are these goddamn animals?'"
The well-gargled Flemish painter, Hieronymus Bosch, whilst under the influence of an anachronistic plagiarism, had already worked up a police identification sketch of some of Thompson’s assailants, of which I have made the above drawing of a fax of a snapshot of a xerox. This startling image of a group of out-of-town snarkhunters taking in Wayne Newton and the lobster special at Circus Circus bears an eerie and uncanny resemblance to both the turgid cerebral froth of Messers Anthony, Bosch and Thompson, Esq., and a certain little stanza of The Hunting of the Snark which we’ve been seeing far too much of around here lately!
As your attorney, dear readers, I advise you to avoid eye contact with all these suspect, hallucinatory inhabitants of weirdo drawings brandishing their trippy, second-hand anapaests and uncomfortably reminding us that when the going gets weird, the weird turn pro. We are but amateurs of the Snark, you and I, and as such, cuddly little fluffy things ill-suited to the rigors of modern life and all that other mental stuff.