Showing posts with label Goon Show. Show all posts
Showing posts with label Goon Show. Show all posts

Wednesday, November 7, 2007

Fit One and Two, Pages 8 and 9 as a Spread … Dessin Nouveau



The most astute reader will have noted that five weeks have elapsed with nary a quotation nor quip from The Hunting of the Snark. What does all this mean? From whence come these images of the HMS Snark drifting rudderless, porpoiseless, perhaps even cucumberless in the salad season?

This is no sin of omission. This is artistic license run amuck … we are reading between the lines* … we are drawing between the words (to dispense with the words in a graphic novel one must dispense with the novelty of grafting words). We are doing — dessin nouveau! So just chill, baby, and dig this frabjous double-page spread.

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NB. Kudos to Mister Nnyhav, who has correctly pointed out the similarities between 'pataphysics and the still-evolving school of Protosurrealism. However, one must always remember that the latter invariably requires the deliberate substitution of one's past for one's future. Ergo, 'pataphysics is a reaction before the action of Protosurrealism.

*Remember, snarkology recapitulates parisology. Parisology is the subaudition of the protosurreal. Protosurrealism is resipiscence before the fact (eg. antediluvian postlapsarianism, subterrannean ultramontanism, etc).

Wednesday, October 31, 2007

Fit Two, Page 9



The Bellman's speech is of that particular British provenance yclept "fruity". Not so much "plummy" but rather … "peachy". If one removes the fuzzy skin thereof (the burr, so to speak) one is left with a nectarine. This fruit (spelled n-e-c-t-a-r-i-n-e but pronounced "stuffed cabbage") was the preferred nutrition of most cavemen and it was they who first domesticated the dog.

We see here a sample of that species, a young pup named Laelaps, who attends upon his master's fruity voice. And what does he hear? A sonorous mussitation which leaves no impression upon him at all, for, as Thomas Aquinas noted, dogs have no souls. Hence their proverbial high fidelity is but a marketing ploy.

A dog, a peach, a gramophone — after all these years, my own 3-piece jazz combo! At last, I can take a bath. And just in time too, my gin-driven ink-pen's almost run dry.