Showing posts with label Alexandra "Xie" Kitchin. Show all posts
Showing posts with label Alexandra "Xie" Kitchin. Show all posts

Monday, February 13, 2012

Fit 8, pg. 80/1 … crouching tiger, hidden snark



The Bellman is referring to his acolyte, the Baker, who is played here by Lewis Carroll, who is himself being played by the Reverend Charles Lutwidge Dodgson. Both of these players were the guiding genii and prime movers of what scholars now call the Carrollian Multiverse, a multi-bibliarium transcending time and space and logic wherein many curious beasties and a few human weirdoes lived their freakish lives.

As I've pointed out before, this poem we call the Snark is the only Victorian verse epic (or epyllion) that has withstood the test of time. As such, it is a direct descendant of such literary blockbusters as the Iliad and the Odyssey and we all know what that means … for example, the famous device of the Homeric epithet — rosy-fingered Dawn or sticky-fingered Odysseus — has been handily transmogrified by the Admirable Carroll into the Carrollian epithet.

We can see two of them in the above stanzel (stanza+panel). One of them is Thingumbob, a Carrollian epithet which the Baker gladly accepts for the simple fact that he had forgotten his own name, way back in Fit the Second. (Need we mention, parenthetically of course, that this amnesia is a sly exegesis upon the Adamic Nominative Imperative that is made so much of in the Book of Genesis? I thought so.)

Another Second Fit epithet for the Baker is Candle-ends, an epithet which I'm sure all of my readers will instantly remember as being the English equivalent of the Chinese ideogram known as "xié", ie. candle-stub.


Xié : Candlestub


The "xié" ideogram has been liberally sprinkled about this stanzel to reinforce this Sino-Carrollian epithet, an epithet which curiously enough was also the nickname of one of Carroll's best friends, the charming Alexandra "Xie" Kitchin. We see her here in a photograph of Carroll's, a photo in which she plays the role of a rather diffident Chinese tea merchant.




Alexandra "Xié" Kitchin, photo by Lewis Carroll

Naturally, all this Carrollian epithetting cannot hold a candlestub to that Greek guy Homer's epithetting but on the other hand, the Carrollian Multiverse is not one of the world's top importers of Porsche sports cars and is in no need of a Eurozone bail-out. Who's talking Nonsense now, eh?

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NB. I'll be signing copies of my Snark and also participating in the Poetry and Visual Arts Roundtable, February 17, 2012, 2 - 4 p.m. at the Lillian Vernon Creative Writers House, 58 West 10th Street, between 5th and 6th Avenues, NYC. This will provide a rare opportunity for myself to leave the house without being pelted with freezing rain, snow, ice and poutine … featured poets will also include Sommer Browning, Matthea Harvey, Mark Leidner, Bianca Stone, and Paul Tunis. More info here

Monday, September 26, 2011

Fit 7, pg. 69 … Dialectical snarxism



At last, we've reached Fit the Seventh of this graphic novel version of Lewis Carroll's Hunting of the Snark. I drew a frontispiece for the first page of each Fit, each one usually involving a feeble pun and all of them concealing in some manner the All-Seeing Eye which I chose to represent the Snark.


Karl Marx, the working man's Marx Brother

This Fit concerns the Banker and I chose Karl Marx to depict the Banker for simple reasons of poetic justice. This canto of the poem will prove to be his downfall, his well-deserved sweeping into the dustbin of history, the ol' coot. Imagine that, doubting our capitalist masters.


The Sleeping Odalisque by J.A.D. Ingres

For the moment though, his Fate is being depicted as his fête, or birthday party, in French. His cake has the requisite 42 candles and the charming Alexandra “Xie” Kitchin is playing the violin for his amusement, just as she did in Carroll’s photo. Xie was one of the poet’s favorite child friends although I doubt that he would have approved of her presence in this Snarky up-date of the French painter Ingres’ famous harem scene.


Alexandra "Xie" Kitchin as photographed by Lewis Carroll

No matter, the Banker’s fan-waving monkey will soon restore some decorum. His name in Hindi, bander, summons up the spirit of the Carrollian Bandersnatch, the Banker’s soon-to-appear nemesis. His hookah will also figure in his downfall, a Marxist reminder that opium is the religion of the masses.

Just say no, Karl!

Next week: The Gang of Four take Five